July Edition 2005
 
 
 
 

 

Batman Begins
Revenge of The Sith

Cert: 12A
Starring: Christian Bale, Michael Caine, Cillian Murphy, Katie Holmes, Liam Neeson, Morgan Freeman, Gary Oldman
Director: Christopher Nolan
Running Time: 140 minutes

Finally, it’s here. It’s been 16 long years since we were last treated to a decent Batman flick (the last few offerings were barely worthy of a mention), and during this time, pretty much every single mainstream comic book hero has experienced a Hollywood-style makeover. But now it’s the original Dark Knight who’s back in the limelight, and boy, has it been worth the wait…
After discovering that Memento Christopher ‘Memento’ Nolan had been selected to direct, my initial expectations were high, although nothing could have quite prepared me for what was in store here. He succeeds admirably in replicating the dark, gritty and morbidly mean Gotham City that seems to have been absent altogether in the last few films, perfectly setting up an atmosphere for the Dark Knight to sinisterly stalk through. Casual movie-goers, beware: this is one seriously dark film.
The film opens on the rain-soaked streets of Gotham, where a young Bruce Wayne witnesses the brutal slaying of his parents at the hands of a deranged criminal. Torn apart by grief, he turns his back on his family’s business and fortune and heads off to Tibet, where he falls in with the League Of Shadows, a mysterious group of vigilante ninjas, headed by Ducard (Liam Neeson) And Ra’s al Ghul (Ken Watanabe).
After suitably developing his combat skills, Batman heads back to the corrupt Gotham City, which is firmly under the control of crime lord Carmine Falcon (Tom Wilkinson). Falcon’s twisted head henchman, the sinister Scarecrow, likes to squirt out a gas on unsuspecting victims, resulting in them experiencing a complete mental breakdown. Nice.
Batman’s aide in restoring Gotham City to its former status is commissioner Gordon (Gary Oldman) and old pal Rachel (Katie Holmes), not to mention the usual array of hi-tech gadgetry. His new Batmobile, as impressive as ever, is supplied by Lucius Fox (the ever-cool Morgan Freeman).
However, it’s the new Batman himself, Christian bale, who steals the show, oozing a sense of dark and menacing coolness, dishing out his own brand of justice to the ne’er-do-wells of Gotham City. His butler, Alfred (played brilliantly by Michael Caine) also lights up the screen whenever he’s present, letting rip with a number of classic one-liners.
Overall, it’s quite simply astonishing; not only is it the darkest adaptation of a comic book yet, it’s also the most faithful to its original source material. Based loosely on Frank (Sin City creator) Miller’s Batman: Year One mini-series, this adaptation will keep even the most die-hard of Batman comic book fans happy. It’s brilliantly shot, expertly written, and astonishingly well acted – go grab a piece of the Batman now!

13 Conversations About One Thing
Cert: PG
Starring: Matthew McConaughey, Alan Arkin, Clea Duvall, Amy Irving, John Turturro
Director: Adam Shankman
Running Time: 95 minutes

After a string of ultra-violent, fast-paced (and generally brain-dead) action flicks, Vin Diesel has decided to flex his acting muscles (emphasis on the muscles) within another genre entirely – comedy.
However, after sitting through this lump of a film, it’s difficult to see why he even bothered.
To set the scene of the action man turned babysitter (of a family of kids whose scientist father has been assassinated), the film opens with some of Diesel’s meat-headed antics as a Navy SEAL, surrounded by crashing powerboats and a rather extensive array of heavy artillery.
Unfortunately for Diesel, however, this is where his grasp on the movie’s context starts and finishes. As the film progresses, it becomes embarrassingly obvious that he lacks the subtle sense of self-awareness required to spoof his own machismo. Which, for the record, Arnie did so delightfully in Kindergarten Cop.
A frightfully feeble script dictates that the alleged threat to the children only becomes apparent towards the movie’s end, by which point you’ll have quite honestly gone beyond caring. And to add insult to injury, the much-hyped action sequences are just plain dull.
Avoid.
 
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