May Edition 2005
 
 
 
 

 

Hitchhiker's Guide To The Galaxy
Cert: PG
Starring: Bill Nighy,
Martin Freeman, Warwick Davis, Zooey Deschanel, Mos Def, Sam Rockwell, John Malkovich
Director: Garth Jennings
Running Time: 110 minutes

Touchstone Pictures’ decision to hire a debutant director to adapt Douglas Adams’ classic BBC series raised a few eyebrows when first announced, and unfortunately, it may well be a decision that comes back to haunt them. This isn’t necessarily to say that the film’s atrociously bad, mind. It often just seems a little…confused.
Despite some spot-on casting
, director Garth Jennings’ attempt to sift through Douglas Adams’ enormous mass of material ends in a mammoth accumulation of needless clutter. His introduce of a romance to the tale will doubtlessly have purists exploding with anger, also.
Huge chunks of story which feel utterly shapeless are prominent throughout, and coupled with the rather unorthodox pacing, Hitch-hiker’s… proves to be something of a difficult pill to swallow. Jennings appears to have piled his creative energies into individual scenes, rather than how they ought to string together. Adams’ mad whirl of ideas seems to have been just too much for him.
A few comic ideas survive the scrappiness: the notion that aliens are even dafter than us, for instance, provides a constant source of amusement. Various nods to bargain-basement British telly (such as Dr Who and the Hitchhiker series itself) are also quite charming. Nonetheless, if only Spike Jonze had agreed to direct, we may well have had a modern masterpiece on our hands. Pity, that.

xXx2 The Next Level
Cert: 12A
Starring: Ice Cube, Nona Gaye, Samuel L. Jackson, Willem Dafoe
Director: Lee Tamahori
Running Time: 101 minutes

For xXx2, everybody’s favourite meat head Vin Diesel has been (rather unusually) replaced by Ice Cube. To be perfectly frank, though, you’re likely not to even notice, since this kind of film simply requires square-jawed presence, as opposed to good ol’ fashioned acting ability. And Cube, alarmingly, pulls this off to a satisfactory standard.
Anyway, xXx, who’s banged up in prison due to various acts of mutin
ous violence, is the only all-American hero capable of helping National Security Agency operative Augustus Gibbons (Samuel L. Jackson) after his outpost is ensnared by an unknown enemy. As the Defence Secretary (Willem Dafoe) seems less than eager to help his hapless country, and a plot to assassinate the President comes to light, xXx must stop America’s first revolution in the making
Of course, XXx 2 is unlikely to win much in the way of acclaim outside of its target audience, but it pretty much achieves what it sets out to do: it’s fast, it’s violent, it requires pretty much nothing in the department of thought, and it’s loaded with lots of nice visual effects.
Not exactly along the lines of my usual choice of viewing, but then, I was hardly expecting Raging Bull 2. Inoffensive fun.

Cursed
Cert: 15
Starring: Christina Ricci, Illeana Douglas, Joshua Jackson, Michael Rosenbaum, Omar Epps, Shannon Elizabeth
Director: Wes Craven
Running Time: 97 minutes

After hearing that Wes Craven has requested to have his name removed from the movie’s direc-torial credits (as a result of the film’s apparently over-enthusiastic editors), I didn’t really hold much hope for Cursed. And after witnessing his first dabble into the world of Werewolfdom, it’s hardly difficult to see why.
Working again with Kevin Williamson, the brains behind Scream, Wes Craven attempts once more to fuse together the winning chemistry of teen flick and OTT horror, although to an ultimately inferior level of accomplishment. Where Scream felt fresh and innovating, Cursed just seems to drag along without any real direction, managing to be simultaneously predictable and dull.
Christina Ricci is one of the movie’s few highlights, her goth-like gloom and jet-black hair being pretty much the film’s scariest element, and that’s even before her transformation into the savage wolf. A number of set-pieces involving her transformation invite the odd chuckle.
However, as a finished article, Cursed falls somewhat short of the mark; the fact that it can’t decide what kind of cinematic experience it’s trying to be (Funny? Very infrequently. Clever? Uh-uh. Scary? Absolutely not) makes it feel like nothing more than a multitude of over-used clichés, scrambled together in the hope of producing another Scream-like exper-ience. Which, sadly, it isn’t.
An American Werewolf In London remains unchall-enged for the crown of best Werewolf flick.

The Kingdon of Heaven
Cert: 15
Starring: Orlando Bloom, Liam Neeson, David Thewlis, Eva Green, Jeremy Irons, Brandan Gleeson, Alexander Siddig, Marton Csokas, Ghassan Massoud
Director: Ridley Scott
Running Time: 144 minutes

Ridley Scott’s latest dabble into the historical action flick genre combines culture clash, egotism versus idealism, and is all set between the second and third Crusades. So, with such consequential subject matter in mind, it’s already 1-0 up on Gladiator. But is it as much fun as the aforementioned Russell Crowe fest? Well, no, not quite. But it’s not too far off.
Balian (Orlando Bloom) starts the film as a blacksmith in 1186 France, and is visited by his father, Godfrey of Ibelin (Liam Neeson), a knight noble except only for the shame of Balian being illegitimate. Godfrey has his son follow him to Jerusalem to pursue his agenda - that the weak should be protected, and that there should grow not only a long-lasting accommodation between East and West, but also a kingdom of Heaven on Earth.
It’s quite obvious that Ridley Scott has a prominent interest in history, and is also a highly gifted technical master behind the camera, so a project like this is always going to end up coming up trumps. Kingdom Of Heaven is a painstakingly crafted endeavour on the grandest of scales, which has an active mind as well as heart and soul. An action flick for the thinking film fan, if you will. Speaking of such, the battle sequences truly are remarkable, with every bone-crunching blow delivered on screen guaranteed to be felt by any audience member. Bloom’s performance is as emphatic as it is subtle, perfectly cast in the role of Balian.
Perhaps it isn’t quite as enjoyable a romp as Gladiator, but make no mistake, Kingdom Of Heaven is definitely up there with the very best in its genre.
 
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